Category Archives: Heliogravure (english / français)

Posts about the original Talbot-Klic photogravure technique written in english and or français

Observing the Lateral Etching

Single or binocular loupes are often used to observe the effects of the etching on the surface of the copperplate. Depending on the kind of resin or screen used, it is sometimes difficult to view in detail what happens at … Continue reading

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A Hybrid Approach to Photogravure on Copperplate

The text and the images on this post have been published as an article in the Newsletter No4 (December 2016) from the Analogue Group of the Royal Photographic Society. Reference/Citation: MITJÀ, Carles (2016) A hybrid approach to photogravure on copperplate. … Continue reading

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Héliogravure VI – Visibilité de la Trame

(Correction de la traduction en Langue Française courtoisie de Jean Claude Pronier) Dans un post antérieur, on a présenté des méthodes pour préparer une trame adaptée aux besoins de l’héliogravure par les moyens numériques. Malgré les résultats satisfaisants obtenus avec … Continue reading

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Heliogravure VI – Screen Visibility

In a previous post, there has been discussed about the methods to prepare a digital screen intended for heliogravure. Although digital screens have been used with satisfying enough results, there is also a common discussion that consider the dust grain … Continue reading

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Reproduction of Photogravure Prints

Introduction. As in other fine art disciplines, one useful aid to the own progress in photogravure is the critical contemplation of the artwork of other artists, successful or not, famous or not. Although the better valuable way to do that … Continue reading

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