Héliogravure XI – Ink and Paper

In the last post Heliogravure X - Black...?, what black?, there was discussed how the ink employed affects the black density and also how it could compromise the tonal range, among other factors. Here, we will try to look at how the same ink influences the picture over different papers. The plate chosen for this …

Héliogravure X – Black…?, what black?

Deep, dense, rich, velvet and other adjectives are often used to describe the black richness in héliogravure (photogravure on copperplate). The choice of the ink and the way this ink is laid onto the paper surface, lends to the photogravure print a uniqueness not so easy to explain beyond the direct visual experience. But this …

Printing Negatives or Positives for Alternative Processes

A lot of literature has been written about the best way to inkjet printing life size negatives or positives, both intended for the so called alternative photographic processes. From the early days of digital image printer models to current photographic quality printers, a lot of proposals have been developed. Some of those methods were based …